Difference between revisions of "Post Production Center"

Latest revision as of 13:39, 24 September 2019

Welcome to the Post Production Center

POST CENTER NEWS

Login to Workstation
Students: Oasis# / Office 365 Password
Faculty/Staff: AD600\Username / Office 365 Password

If you haven't set up your Office 365 account, please follow the step by step guide
Step_by_Step_Guide_to_Office_365_login.pdf

Adobe Creative Cloud
Personal Account: use personal credentials
Enterprise Account (CCC) – Faculty/Staff: Office 365 Username / Password
Enterprise Account (CCC) – Students: Oasis # / Office 365 Password

POST-PRODUCTION COORDINATOR
Ben Rogerson
Phone: X6782
Email: brogerson@colum.edu

WHERE TO FIND US
1104 S Wabash Building
Room 602
Phone: 312.369.6770
Email: postcenter@colum.edu

1 FALL HOURS: SEPTEMBER 3-DECEMBER 13
2 POLICIES AND PROCEDURES
3 LTO ARCHIVE – GRADUATE THESIS FILM
4 CURRENT SOFTWARE
5 NEXIS CONNECTION MANUAL
6 ADOBE PREMIERE WORKFLOW
7 AVID WORKFLOW
8 DAVINCI RESOLVE PROJECT ARCHIVE
9 ADVANCED PRODUCTION ON SET PROCEDURES AND PROTOCOL
10 TAKE 1 FILM FESTIVAL
11 FRAMEWORK

FALL HOURS: SEPTEMBER 3-DECEMBER 13

Day	Hours	Notes
Monday	10a-9p
Tuesday	10a-9p
Wednesday	10a-9p
Thursday	10a-9p
Friday	10a-5p
Saturday	11a-5p
Sunday	Closed

The facilities close promptly. It is your responsibility to manage your time appropriately.

POLICIES AND PROCEDURES

Identification: All editing students are asked to show their Student ID Card to reserve or check out a workstation.
Post Center Reservations: For all editing time, whether in or out of class, the editing facilities must be reserved, either for you as an individual or for the class as a whole:

Reservations are non-transferable. All unused reservations may be re-appropriated.
Students may only use labs designated for their specific class. Enrollment in the college, Cinema and Television Art department, or even post production classes DOES NOT grant carte
blanche access to all labs.
Adv. Classes can make reservations over the phone or via email (postcenter@colum.edu).
Digital Cinema Mastering, Practicum, Adv. Color, AES, and Grad
Classes differ in the number of reservations students can make every week. Some classes also have standing reservations. Ask the Post Center for more information.
NO SAME DAY RESERVATIONS

Unclaimed Reservations and Walk-ins: In addition to reserving editing, transfer, or mix time, students may sign up for unclaimed editing time.

LTO ARCHIVE – GRADUATE THESIS FILM

Export a ProRes422HQ Master and H.264 Web version of your Thesis Film.

Label your Files as follows: SEMESTERYEAR_TYPE (MASTER or WEB)_TITLE_LASTNAME

For Example: F19_MASTER_GOODFELLAS_SCORSESE

Once you've exported your film, come to the Post Center and fill out a Graduate Thesis Archive Work Order.

If you can't drop off your film in person, please fill out the Grad Thesis work order. Submit your film via a direct download link using WeTransfer, Dropbox, etc.

Email the links and the Work Order to brogerson@colum.edu and postcenter@colum.edu.

Media:Grad_Thesis_Archive.pdf

CURRENT SOFTWARE

CC2018 - Adobe Premiere: 13.0.2

Avid: 2019.7

DaVinci: 16

Practicum: On Set Procedures – Media:PRACTICUM DIT WORKFLOW.pdf

Directing 3 / AES: On Set Procedures – Media: D3 DIT WORKFLOW.pdf

On Set Data Management – Media:Data Wrangler On Set Procedures.pdf

LOGS

Media:Data Wrangler Log.pdf

Media:CCC Camera Log.pdf

TAKE 1 FILM FESTIVAL

Media:Take 1 Submission Workflow.pdf

Please follow the steps in the above document to successfully finish and submit your film to the Take1 Film Festival.

FRAMEWORK

What is FrameWork?

2019 FrameWork

@@ Line 1: / Line 1: @@
-POST-PRODUCTION COORDINATOR<br />
+Welcome to the Post Production Center<br />
+<br />
+'''POST CENTER NEWS'''
+<br />
+<br />'''Login to Workstation'''<br />
+Students: Oasis# / Office 365 Password<br />
+Faculty/Staff: AD600\Username / Office 365 Password<br />
+<br />
+If you haven't set up your Office 365 account, please follow the step by step guide<br />
+[http://imamp.colum.edu/kb/images/e/e4/Step_by_Step_Guide_to_Office_365_login.pdf Step_by_Step_Guide_to_Office_365_login.pdf]
+<br />
+'''Adobe Creative Cloud'''<br />
+Personal Account: use personal credentials<br />
+Enterprise Account (CCC) – Faculty/Staff: Office 365 Username / Password<br />
+Enterprise Account (CCC) – Students: Oasis # / Office 365 Password<br />
+<br />
+'''POST-PRODUCTION COORDINATOR'''<br />
 Ben Rogerson<br />
 Phone: X6782<br />
 Email: brogerson@colum.edu<br />
+<br />
+'''WHERE TO FIND US'''<br />
 S Wabash Building<br />
 Room 602<br />
@@ Line 9: / Line 28: @@
 Email: postcenter@colum.edu<br />
-=== SUMMER HOURS: MAY 14-JULY 27 ===
+===FALL HOURS: SEPTEMBER 3-DECEMBER 13===
 {| class="wikitable"
 |-
 ! Day !! Hours !! Notes
 |-
-| Monday || 10a-5p ||
+| Monday || 10a-9p ||
 |-
-| Tuesday || 10a-5p ||
+| Tuesday || 10a-9p ||
 |-
-| Wednesday || 10a-5p ||
+| Wednesday || 10a-9p ||
 |-
-| Thursday || 10a-5p ||
+| Thursday || 10a-9p ||
 |-
 | Friday || 10a-5p ||
 |-
-| Saturday || Closed ||
+| Saturday || 11a-5p ||
 |-
 | Sunday || Closed ||
 |}
-The facilities close promptly so save and lay off your projects before closing time.
+The facilities close promptly. It is your responsibility to manage your time appropriately.
-If you are still exporting your project at closing time, we will tell you to stop and do it during
+<br />
-your next edit session. It is your responsibility to manage your time appropriately.
+===POLICIES AND PROCEDURES===
-=== POST CENTER POLICIES AND PROCEDURES ===
+Identification: All editing students are asked to show their Student ID Card to reserve or
-<br />
+check out a workstation.<br />
-IDENTIFICATION<br />
+Post Center Reservations: For all editing time, whether in or out of class, the editing
-All editing students are asked to leave their Student ID Card with the Post Center
+facilities must be reserved, either for you as an individual or for the class as a whole:<br />
-for the duration of their editing time in exchange for any equipment or media.
+# Reservations are non-transferable. All unused reservations may be re-appropriated.<br />
-The Post Center will NOT take any other form of ID. You will not be admitted without
+# Students may only use labs designated for their specific class. Enrollment in the college, Cinema and Television Art department, or even post production classes DOES NOT grant carte<br /> blanche access to all labs.<br />
-your Columbia ID. The ID will be returned when the student leaves the Post Center.<br />
+# Adv. Classes can make reservations over the phone or via email (postcenter@colum.edu).<br />Digital Cinema Mastering, Practicum, Adv. Color, AES, and Grad<br />
+# Classes differ in the number of reservations students can make every week. Some classes also have standing reservations. Ask the Post Center for more information.<br />
+# NO SAME DAY RESERVATIONS<br />
+Unclaimed Reservations and Walk-ins: In addition to reserving editing, transfer, or mix time, students may sign up for unclaimed editing time.<br />
+=== LTO ARCHIVE – GRADUATE THESIS FILM ===
+Export a ProRes422HQ Master and H.264 Web version of your Thesis Film.
+*Label your Files as follows: SEMESTERYEAR_TYPE (MASTER or WEB)_TITLE_LASTNAME
+For Example: F19_MASTER_GOODFELLAS_SCORSESE
-RESERVATIONS<br />
+Once you've exported your film, come to the Post Center and fill out a Graduate Thesis Archive Work Order.
-For all editing time, whether in or out of class, the editing facilities must be reserved,
-either for you as an individual or for the class as a whole:
-*1) Reservations are non-transferable. All unused reservations may be re-appropriated.
+If you can't drop off your film in person, please fill out the Grad Thesis work order. Submit your film via a direct download link using WeTransfer, Dropbox, etc.
-*2) Students may only use labs designated for their specific class. Enrollment in the college, Cinema and Television Art department, or even post production classes DOES NOT grant carte blanche access to all labs.
-*3) Adv. Classes can make reservations over the phone or via email (postcenter@colum.edu).
-**Digital Cinema Mastering, Practicum, Adv. Color, AES, and Grad
-*4) Classes differ in the number of reservations students can make every week. Some classes also have standing reservations. Ask the Post Center for more information.
-*5) NO SAME DAY RESERVATIONS<br />
-UNCLAIMED RESERVATIONS AND WALK INS<br />
+Email the links and the Work Order to brogerson@colum.edu and postcenter@colum.edu.
-In addition to reserving editing, transfer, or mix time, students may sign up for unclaimed editing time.
-*1) Reservations are held for 30 minutes past their start time. After 30 minutes, any
+[[Media:Grad_Thesis_Archive.pdf]]
-unclaimed reservations are given away (re-appropriated) to students signed up and
-waiting on a “first come, first serve” basis; this includes standing reservations.
-*2) Any unreserved editing slots can be claimed at the start of the time slot.
-*3) At the beginning of every Edit slot, the Post Center will build a new re-appropriation list
-for each lab if full. All students waiting to claim a space must sign the list. Re-appropriation
-slots are on a first come, first served basis only.
-*4) Re-appropriation slots are for the current time slot only. All stations are cleared at the
-beginning of every time slot for the next round of reservations and re-appropriation.
-*5) The re-appropriation list will go into effect 30 minutes after the original start time of the
-editing slot. Students on a re-appropriation list must be present at that time. If their name
-is called and they are not present the next person on the list will be given the open slot.
-*6) Students may have as many re-appropriated slots a week as they like, but they may only
-sign up for and use one slot at a time, i.e. you can only edit on one station at a time.
-=== WORK ORDERS ===
-=== LTO ARCHIVE ===
 === CURRENT SOFTWARE ===
+'''CC2018 - Adobe Premiere: 13.0.2'''
+'''Avid: 2019.7'''
+'''DaVinci: 16'''
+=== NEXIS CONNECTION MANUAL ===
+[[Media:Avid Nexis Connection Manual.pdf]]
 === ADOBE PREMIERE WORKFLOW ===
+[[Media:Getting Started With Premiere.pdf]]
+[[Media:Premiere SetUp Archive.pdf]]
 === AVID WORKFLOW ===
-=== DAVINCI RESOLVE WORKFLOW ===
-=== PRACTICUM ON SET PROCEDURES AND PROTOCOL ===
+[[Media:Avid SetUp Archive.pdf]]
-=== D3/AES ON SET PROCEDURES AND PROTOCOL ===
+=== DAVINCI RESOLVE PROJECT ARCHIVE ===
+[[Media:DaVinci Archive.pdf]]
+=== ADVANCED PRODUCTION ON SET PROCEDURES AND PROTOCOL ===
+On Set Dailies – [[Media:DIT_DaVinci_Resolve_Workflow.pdf]]
+Practicum: On Set Procedures – [[Media:PRACTICUM DIT WORKFLOW.pdf]]
+Directing 3 / AES: On Set Procedures – [[Media: D3 DIT WORKFLOW.pdf]]
+On Set Data Management – [[Media:Data Wrangler On Set Procedures.pdf]]
+'''LOGS'''
+[[Media:Data Wrangler Log.pdf]]
+[[Media:CCC Camera Log.pdf]]
 === TAKE 1 FILM FESTIVAL ===
+[[Media:Take 1 Submission Workflow.pdf]]
+Please follow the steps in the above document to successfully finish and submit your film to the Take1 Film Festival.<br />
 === FRAMEWORK ===
+[https://www.colum.edu/academics/initiatives/framework-interviews.html What is FrameWork?]
+[https://vimeopro.com/ctva/framework2019 2019 FrameWork]

Difference between revisions of "Post Production Center"

Latest revision as of 13:39, 24 September 2019

Contents

FALL HOURS: SEPTEMBER 3-DECEMBER 13

POLICIES AND PROCEDURES

LTO ARCHIVE – GRADUATE THESIS FILM

CURRENT SOFTWARE

NEXIS CONNECTION MANUAL

ADOBE PREMIERE WORKFLOW

AVID WORKFLOW

DAVINCI RESOLVE PROJECT ARCHIVE

ADVANCED PRODUCTION ON SET PROCEDURES AND PROTOCOL

TAKE 1 FILM FESTIVAL

FRAMEWORK

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