Post Production Center
Welcome to the Post Production Center
POST CENTER NEWS
WHERE TO FIND US
1104 S Wabash Building
- 1 FALL HOURS: SEPTEMBER 3-DECEMBER 13
- 2 POST CENTER POLICY AND PROCEDURES
- 3 LTO ARCHIVE – GRADUATE THESIS FILM
- 4 CURRENT SOFTWARE
- 5 NEXIS CONNECTION MANUAL
- 6 ADOBE PREMIERE WORKFLOW
- 7 AVID WORKFLOW
- 8 DAVINCI RESOLVE PROJECT ARCHIVE
- 9 ADVANCED PRODUCTION ON SET PROCEDURES AND PROTOCOL
- 10 TAKE 1 FILM FESTIVAL
- 11 FRAMEWORK
FALL HOURS: SEPTEMBER 3-DECEMBER 13
The facilities close promptly so save and lay off your projects before closing time.
If you are still exporting your project at closing time, we will tell you to stop and do it during your next edit session.
It is your responsibility to manage your time appropriately.
POST CENTER POLICY AND PROCEDURES
Post Center Reservations: For all editing time, whether in or out of class, the editing facilities must be reserved, either for you as an individual or for the class as a whole. 1) Reservations are non-transferable. All unused reservations may be re-appropriated. 2) Students may only use labs designated for their specific class. Enrollment in the college, Cinema and Television Art department, or even post production classes DOES NOT grant carte blanche access to all labs. 3) Adv. Classes can make reservations over the phone or via email (email@example.com). • Digital Cinema Mastering, Practicum, Adv. Color, AES, and Grad 4) Classes differ in the number of reservations students can make every week. Some classes also have standing reservations. Ask the Post Center for more information. 5) NO SAME DAY RESERVATIONS Unclaimed Reservations and Walk-ins: In addition to reserving editing, transfer, or mix time, students may sign up for unclaimed editing time. 1) Reservations are held for 30 minutes past their start time. After 30 minutes, any unclaimed reservations are given away (re-appropriated) to students signed up and waiting on a “first come, first serve” basis; this includes standing reservations. 2) Any unreserved editing slots can be claimed at the start of the time slot. 3) At the beginning of every Edit slot, the Post Center will build a new re-appropriation list for each lab if full. All students waiting to claim a space must sign the list. Reappropriation slots are on a first come, first served basis only. 4) Re-appropriation slots are for the current time slot only. All stations are cleared at the beginning of every time slot for the next round of reservations and re-appropriation. 5) The re-appropriation list will go into effect 30 minutes after the original start time of the editing slot. Students on a re-appropriation list must be present at that time. If their name is called and they are not present the next person on the list will be given the open slot. 6) Students may have as many re-appropriated slots a week as they like, but they may only sign up for and use one slot at a time, i.e. you can only edit on one station at a time.
LTO ARCHIVE – GRADUATE THESIS FILM
Export a ProRes422HQ Master and H.264 Web version of your Thesis Film.
- Label your Files as follows: SEMESTERYEAR_TYPE (MASTER or WEB)_TITLE_LASTNAME
For Example: F18_MASTER_GOODFELLAS_SCORSESE
Once you've exported your film, come to the Post Center and fill out a Graduate Thesis Archive Work Order.
If you can't drop off your film in person, please fill out the Grad Thesis work order. Submit your film via a direct download link using WeTransfer, Dropbox, etc.
Email the links and the Work Order to firstname.lastname@example.org and email@example.com.
CC2018 - Adobe Premiere: 13.0.2
NEXIS CONNECTION MANUAL
ADOBE PREMIERE WORKFLOW
DAVINCI RESOLVE PROJECT ARCHIVE
ADVANCED PRODUCTION ON SET PROCEDURES AND PROTOCOL
On Set Dailies – Media:DIT_DaVinci_Resolve_Workflow.pdf
Practicum: On Set Procedures – Media:PRACTICUM DIT WORKFLOW.pdf
Directing 3 / AES: On Set Procedures – Media: D3 DIT WORKFLOW.pdf
On Set Data Management – Media:Data Wrangler On Set Procedures.pdf
TAKE 1 FILM FESTIVAL
Please follow the steps in the above document to successfully finish and submit your film to the Take1 Film Festival.
Email firstname.lastname@example.org with any questions.