Difference between revisions of "Post Production Center"

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(POST CENTER POLICY AND PROCEDURES)
(POST CENTER POLICY AND PROCEDURES)
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If you are still exporting your project at closing time, we will tell you to stop and do it during your next edit session.<br />
 
If you are still exporting your project at closing time, we will tell you to stop and do it during your next edit session.<br />
 
It is your responsibility to manage your time appropriately.<br />
 
It is your responsibility to manage your time appropriately.<br />
 
=== POST CENTER POLICY AND PROCEDURES ===
 
Post Center Reservations: For all editing time, whether in or out of class, the editing
 
facilities must be reserved, either for you as an individual or for the class as a whole.
 
1) Reservations are non-transferable. All unused reservations may be re-appropriated.
 
2) Students may only use labs designated for their specific class. Enrollment in the college,
 
Cinema and Television Art department, or even post production classes DOES NOT
 
grant carte blanche access to all labs.
 
3) Adv. Classes can make reservations over the phone or via email (postcenter@colum.edu).
 
• Digital Cinema Mastering, Practicum, Adv. Color, AES, and Grad
 
4) Classes differ in the number of reservations students can make every week. Some
 
classes also have standing reservations. Ask the Post Center for more information.
 
5) NO SAME DAY RESERVATIONS
 
Unclaimed Reservations and Walk-ins: In addition to reserving editing, transfer, or mix
 
time, students may sign up for unclaimed editing time.
 
1) Reservations are held for 30 minutes past their start time. After 30 minutes, any
 
unclaimed reservations are given away (re-appropriated) to students signed up and
 
waiting on a “first come, first serve” basis; this includes standing reservations.
 
2) Any unreserved editing slots can be claimed at the start of the time slot.
 
3) At the beginning of every Edit slot, the Post Center will build a new re-appropriation list
 
for each lab if full. All students waiting to claim a space must sign the list. Reappropriation
 
slots are on a first come, first served basis only.
 
4) Re-appropriation slots are for the current time slot only. All stations are cleared at the
 
beginning of every time slot for the next round of reservations and re-appropriation.
 
5) The re-appropriation list will go into effect 30 minutes after the original start time of the
 
editing slot. Students on a re-appropriation list must be present at that time. If their name
 
is called and they are not present the next person on the list will be given the open slot.
 
6) Students may have as many re-appropriated slots a week as they like, but they may only
 
sign up for and use one slot at a time, i.e. you can only edit on one station at a time.
 
  
 
=== LTO ARCHIVE – GRADUATE THESIS FILM ===
 
=== LTO ARCHIVE – GRADUATE THESIS FILM ===

Revision as of 18:29, 27 August 2019

Welcome to the Post Production Center

POST CENTER NEWS



POST-PRODUCTION COORDINATOR
Ben Rogerson
Phone: X6782
Email: brogerson@colum.edu

WHERE TO FIND US
1104 S Wabash Building
Room 602
Phone: 312.369.6770
Email: postcenter@colum.edu

FALL HOURS: SEPTEMBER 3-DECEMBER 13

Day Hours Notes
Monday 10a-9p
Tuesday 10a-9p
Wednesday 10a-9p
Thursday 10a-9p
Friday 10a-5p
Saturday 11a-5p
Sunday Closed

The facilities close promptly so save and lay off your projects before closing time.
If you are still exporting your project at closing time, we will tell you to stop and do it during your next edit session.
It is your responsibility to manage your time appropriately.

LTO ARCHIVE – GRADUATE THESIS FILM

Export a ProRes422HQ Master and H.264 Web version of your Thesis Film.

  • Label your Files as follows: SEMESTERYEAR_TYPE (MASTER or WEB)_TITLE_LASTNAME

For Example: F18_MASTER_GOODFELLAS_SCORSESE

Once you've exported your film, come to the Post Center and fill out a Graduate Thesis Archive Work Order.

If you can't drop off your film in person, please fill out the Grad Thesis work order. Submit your film via a direct download link using WeTransfer, Dropbox, etc.

Email the links and the Work Order to brogerson@colum.edu and postcenter@colum.edu.

Media:Grad_Thesis_Archive.pdf

CURRENT SOFTWARE

CC2018 - Adobe Premiere: 13.0.2

Avid: 2019.7

DaVinci: 16

NEXIS CONNECTION MANUAL

Media:Avid Nexis Connection Manual.pdf

ADOBE PREMIERE WORKFLOW

Media:Getting Started With Premiere.pdf

Media:Premiere SetUp Archive.pdf

AVID WORKFLOW

Media:Avid SetUp Archive.pdf

DAVINCI RESOLVE PROJECT ARCHIVE

Media:DaVinci Archive.pdf

ADVANCED PRODUCTION ON SET PROCEDURES AND PROTOCOL

On Set Dailies – Media:DIT_DaVinci_Resolve_Workflow.pdf

Practicum: On Set Procedures – Media:PRACTICUM DIT WORKFLOW.pdf

Directing 3 / AES: On Set Procedures – Media: D3 DIT WORKFLOW.pdf

On Set Data Management – Media:Data Wrangler On Set Procedures.pdf

LOGS

Media:Data Wrangler Log.pdf

Media:CCC Camera Log.pdf

TAKE 1 FILM FESTIVAL

Media:Take 1 Submission Workflow.pdf

Please follow the steps in the above document to successfully finish and submit your film to the Take1 Film Festival.
Email take1@colum.edu with any questions.

FRAMEWORK

What is FrameWork?

2018 FrameWork