Difference between revisions of "Public Art class 8"
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Hixson, Kathryn. “Icons and Interventions in Chicago and the Potential of Public Art”, Sculpture Magazine, May/June 1998 Vol.17 No. 5; http://www.sculpture.org/documents/scmag98/chicgo/sm-chcgo.shtml | Hixson, Kathryn. “Icons and Interventions in Chicago and the Potential of Public Art”, Sculpture Magazine, May/June 1998 Vol.17 No. 5; http://www.sculpture.org/documents/scmag98/chicgo/sm-chcgo.shtml | ||
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| + | [[Category:IAM Classes]][[Category:Public Art]] | ||
Revision as of 18:53, 4 August 2008
Week 8 (March 18)
Contents
Asn. 4 presentation: proposal for the alley
pre-visualization example: VRML model of space [[1]]
planning tool: projector throw calculator [[2]]
mark-making in the environment
graffiti, community murals. Public art and the public – who gets to decide, what does the community have to do with it?
Screening: Style Wars or Graffiti Verite
Resources
Graffiti history [[3]]
Graffiti Art [[4]]
Art Crimes [[5]]
Graffiti in Chicago [[6]]
Banksy [[7]]
Keith Haring public murals [[8]]
Basquiat [[9]],
Wooster Collective [[10]]
Knitta [[11]]
Technological graffiti
Street Writer [[12]]
Graffiti Writer [[13]]
Projection Bombing [[14]] [[15]]
You Are Here [[18]]
Manifest '07 John Hiltabidel [[19]]
Reading for next week
Cruickshank, Jeffrey L. and Korza, Pam. Going Public: A field guide to developments in art in public places; and
Hixson, Kathryn. “Icons and Interventions in Chicago and the Potential of Public Art”, Sculpture Magazine, May/June 1998 Vol.17 No. 5; http://www.sculpture.org/documents/scmag98/chicgo/sm-chcgo.shtml
