Difference between revisions of "Public Art class 4"
esse quam videri
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Institute for Applied Autonomy [[http://www.appliedautonomy.com/isee.html]] | Institute for Applied Autonomy [[http://www.appliedautonomy.com/isee.html]] | ||
| − | Surveillance Camera Players [[http://www.notbored.org/the-scp.html]] | + | Surveillance Camera Players [[http://www.notbored.org/the-scp.html]][[http://media.sas.upenn.edu/pennsound/groups/FactorySchool/SCP/ABC-late.mp4]] |
Control/Space - Rhetoric of Surveillance [[http://ctrlspace.zkm.de/e/]] | Control/Space - Rhetoric of Surveillance [[http://ctrlspace.zkm.de/e/]] | ||
Revision as of 04:00, 16 February 2010
Week 4 (Feb. 16)–
PD/GEM
- Mapping images, live camera and movies onto geos
Lecture/discussion
portraiture in public art; surveillance
statues and surveillance
official and unofficial
imposed, monumental scale: Statue of Ramses in Cairo (being moved)[[1]]
chosen by community: Wall of Respect [[2]]
celebrating ordinary people with compelling stories: Krystof Wodiczko, Tijuana, Mexico: [[3]][[4]]
fall of statue of Saddam [[5]]
Bill Viola – reverse portraits [[6]]
Luc Courchesne - interactive portraits [[7]]
Tony Oursler - projection portraits [[8]]
Resources
Lincoln Schatz website [[9]]
Institute for Applied Autonomy [[10]]
Surveillance Camera Players [[11]][[12]]
Control/Space - Rhetoric of Surveillance [[13]]
Visiting Artist
Lincoln Schatz (2 PM)
Reading
Ch. 1, Public Art
