Difference between revisions of "Public Art class 4"
esse quam videri
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Bill Viola – reverse portraits [[http://openvault.wgbh.org/saybrother/MLA000230/index.html]] | Bill Viola – reverse portraits [[http://openvault.wgbh.org/saybrother/MLA000230/index.html]] | ||
| − | Luc Courchesne - interactive portraits [[http:// | + | Luc Courchesne - interactive portraits [[http://vimeo.com/5827424]] |
Tony Oursler - projection portraits [[http://www.tonyoursler.com/tonyourslerv2/main.html]] | Tony Oursler - projection portraits [[http://www.tonyoursler.com/tonyourslerv2/main.html]] | ||
Revision as of 02:56, 16 February 2010
Week 4 (Feb. 16)–
PD/GEM
- Mapping images, live camera and movies onto geos
Lecture/discussion
portraiture in public art; surveillance
statues and surveillance
official and unofficial
imposed, monumental scale: Statue of Ramses in Cairo (being moved)[[1]]
chosen by community: Wall of Respect [[2]]
celebrating ordinary people with compelling stories: Krystof Wodiczko, Tijuana, Mexico: [[3]][[4]]
fall of statue of Saddam [[5]]
Bill Viola – reverse portraits [[6]]
Luc Courchesne - interactive portraits [[7]]
Tony Oursler - projection portraits [[8]]
Resources
Lincoln Schatz website [[9]]
Institute for Applied Autonomy [[10]]
Surveillance Camera Players [[11]]
Control/Space - Rhetoric of Surveillance [[12]]
Visiting Artist
Lincoln Schatz (2 PM)
Reading
Ch. 1, Public Art
